阿里云播
劇情簡(jiǎn)介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
在線(xiàn)播放地址。http://www.yukinoxdesign.com/vq/24N5Yz.html
猜你喜歡
- HD中字
路易斯·韋恩的激情人生
本尼迪克特·康伯巴奇,克萊爾·芙伊,安德麗婭·賴(lài)斯伯勒,托比·瓊斯,奧利維婭·科爾曼,莎朗·魯妮,海莉·斯奎爾斯,斯塔西·馬汀,艾米·盧·伍德,菲比·尼克爾斯,阿迪勒·阿赫塔爾,阿西姆·喬杜里,朱利安·巴拉特,理查德·艾歐阿德,塔伊加·維迪提,尼克·凱夫,詹米·德米特魯,希沃恩·麥克斯維尼,詹姆斯·伊萊斯,多蘿西·阿特金森,克里斯塔·克拉克,索菲婭·迪·馬蒂諾,安雅·麥肯納-布魯斯,印迪卡·沃森,馬汀·麥格,卡羅爾·斯蒂爾,琪琪·梅,Cassia,McCarthy,Simon,Munnery,Felix,
劇情周榜單