Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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馬丁·勞倫斯,詹姆斯·厄爾·瓊斯,瑪格麗特·艾弗瑞,喬伊·布賴(lài)恩特,塞德里克·凱爾斯
Preston,Jones,Michael,Trotter,Daniel,Newman,Nestor,Aaron,Absera,Danny,Pudi,Julianna,Guill,Julia,Levy-Boeken,Carter,Gaston
小池徹平,麻衣子,池田鐵洋,品川祐,田中圭,中村靖日,千葉雅子,田邊誠一,須賀貴匡,北見(jiàn)敏之,朝加真由美,森本治行
讓·杜雅爾丹,貝熱尼絲·貝喬,弗朗索瓦·達密安
方力申,鄧麗欣,吳佩慈,陳秀珠,傅穎,侯莎莎,關(guān)之彤,魏駿杰,譚俊彥,唐寧,王祖藍
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