Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for successive filmmakers, from Francois Truffaut to Alain Resnais.
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張曉晨,劉雅瑟,劉曉慶,蔣列
阿爾弗雷多·蘭達,特雷勒·帕維斯,弗朗西斯科·拉瓦爾,阿佳塔·利斯,阿古斯丁·岡薩雷斯,瑪麗·卡里略,何塞·瓜迪奧拉,胡安·迭戈,曼努埃爾·薩爾索,瑪麗貝爾·馬丁,利貝托·拉巴爾,Belén,Ballesteros,Juan,Sachez,Susana,Sánchez,Francisco,Torres,Pepín,Salvador,José,Manuel,Sito
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