When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
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彭禺厶,朱佳希,譚渤霖,金梓壑
Kapar,Aliyev,Sovetbek,Dzhumadylov,Baken,Kydykeyeva
凱文·史派西,勞拉·鄧恩,鮑勃·巴拉班,小艾德·博格里,約翰·赫特,丹尼斯·利瑞,布魯斯·麥克吉爾,湯姆·威爾金森,布魯斯·奧爾特曼
瑪麗·伊麗莎白·溫斯特德,泰莎·湯普森,瑞利·史密斯,約翰·里爾登,朱莉莎·伯爾穆德茲,阿什麗·羅伯茨,艾倫·默克,利·恩斯,Debbie,Patterson,戈登·坦納,泰瑞·雷,薩拉·湯普森,泰瑞·威瑟斯龐
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